Pick almost any recent hymnal, look in the index that lists the authors of the hymns, and the name “Isaac Watts” will usually have a long list of hymns beside it. During his life, Watts penned over 600 hymns, and through them has powerfully shaped the way English-speaking Evangelicals worship God.

Early years

Watts was born to Christian parents in Southampton, England, on July 17, 1674. His father, who was also named Isaac, was a prosperous clothier as well as being a schoolmaster. A deacon in the local Congregationalist church, later known as Above Bar Congregational Church, the elder Watts suffered imprisonment at least twice for refusing to give up worship with this church. From 1660 to 1688 the Congregationalists, along with other groups outside of the Church of England, found themselves in the fierce fire of persecution, when a series of laws were passed which made it illegal to worship in any other setting but that of the Church of England. Of Watts’ mother, Sarah Taunton, we know little beyond the fact that she was of French Huguenot descent and after Isaac’s birth would nurse him while visiting her husband in prison.

The younger Watts experienced what he later described as “considerable convictions of sin” when he was fourteen. Happily, they issued in a sound conversion in 1689. The following year he went to London to spend four years studying in a theological seminary. After graduation in 1694 he went back to live with his parents in Southampton for two years or so. Apparently it was during this time in Southampton that he began to write hymns.

London pastor

In October of 1696 he took a position as the tutor of the household of a wealthy Nonconformist by the name of John Hartopp (d.1722), one of the most eminent English Congregationalists during that era. Watts preached his first sermon in 1698 and four years later was called to be the pastor of what was the most influential and wealthiest Congregationalist church in London, Mark Lane Congregational Church, which he served for the rest of his life.

A serious illness in 1712 brought Watts to the home of Sir Thomas and Lady Mary Abney, at Theobalds, near Cheshunt, Hertfordshire. Watts had intended on staying only until he recovered his health, but he ended up remaining with this family till his death thirty-six years later, tutoring the children and pastoring his nearby church when he was physically able.

An assistant minister, Samuel Price, was appointed early on in Watts’ pastorate, enabling Watts to give significant amounts of time to study and writing when he was not ill. Watts never married. After a proposal of marriage was turned down by Elizabeth Singer (d.1737), also an accomplished poet, he never again seriously contemplated the married estate.

Writing hymns

Watts’ literary activity up until around 1720 was primarily in the realm of poetry. By way of contrast, during his final twenty-eight years Watts almost exclusively devoted himself to writing prose. According to reliable tradition, his first incentive to write hymns came when he complained to his father of the general poverty of the psalmody in their Southampton church. His father’s response was a challenge to his son to do better. As history attests Watts did indeed do better, so much so that he is often called “the Father of English hymnody.”

In 1707 Watts published his first collection of hymns, entitled Hymns and Spiritual Songs, one of the earliest English hymnals. It was in this collection that such great hymns as “When I Survey the Wondrous Cross” first appeared. Psalms of David Imitated in the Language of the New Testament, a recasting of the psalms in the light of the New Testament for the purpose of public worship, came in 1719. In Watts’ words, in this particular book he chose not “to express the ancient Sense and Meaning of David, but have rather exprest myself as I may suppose David would have done, had he lived in the Days of Christianity.” Good examples of such “Christian paraphrases” of the Psalms would include “O God, Our Help in Ages Past,” based on Psalm 90 and “Jesus Shall Reign,” drawn from Psalm 72.

Watts & George Thomson

A small idea of the impact of Watts can be found in a letter written to him by a certain George Thomson (1698-1782), the Anglican vicar of St. Gennys, a windswept village in North Cornwall perched atop cliffs overlooking the Atlantic. Writing to Watts in 1736, Thomson said:

“Poet, Divine, Saint, the delight, the guide the wonder of the virtuous world; permit, Reverend Sir, a stranger unknown, and likely to be for ever unknown, to desire one blessing from you in a private way. ’Tis this, that when you approach the Throne of Grace, and lift up holy hands, when you get closest to the Mercy-seat, and wrestle mightily for the peace of Jerusalem, you would breathe one petition for my soul’s health. In return I promise you a share for life in my unworthy prayers, who honour you as a father and a brother (though differently ordered) and conclude myself,

Your affectionate humble Servant,
George Thomson.”

[Cited Donald Davie, The Eighteenth-Century Hymn in England (Cambridge: Cambridge University Press, 1993), 49].

It may well have been something of a surprise to Watts to have received this letter of adulation from an Anglican minister. Thomson’s remark about his being “differently ordered” reflects this ecclesial difference between writer and recipient. As such, the effusive, and by our standards far too flowery, praise that Thomson lavishes on Watts is particularly noteworthy. In fact, Thomson confesses, Watts’ hymns were the medium by which God made him a “father” and mentor in the Christian life for the Anglican vicar.

Of all the men and women God has gifted to write excellent songs to worship Him, Watts is in the top 3.

His words pack more impact than many a book or sermon.

And he wrote so many.

What a blessing he is to the CHurch--may we never lose sight of the great hymns of the past.


I've always meant to ask you this about Watts: Do you happen to have any thoughts on Watts' apparent denial of Trinitarian doctrine? I've read some comments by him that on the surface are quite alarming but I've never really looked into the matter. Any thoughts?

What about Watts' theology - is it true that he was slippy on the Trinity?


Near the end of his life, in the 1730s, Watts began to use language to express his beliefs about the Trinity which was considered problematic by others. It really needs someone to study it.

I have recently started a study of Watts' poetic renditions of the Psalms and boy has it changed my prayer life! I really have gained some insight on how to pray through comparing Watt's versions with the originals. It is better, far better than more learning;it is being edified and in this God is glorified.

"Father of English hymnody", yes... and some wonderful hymns at that, but it seems that Watts was not widely embraced in his own time, particularly at the beginning of his hymn-writing career. Are you aware of any sources that would help me understand this better? A citation from Jack’s Giant Harmonica Hymnbook won't get much respect.


For many the issue was Watts' use of extra-Scriptural texts to sing worship. Up until that time most had only used the Psalms. So part of the debate and query about Watts was the question: is it lawful to use non-Scriptural worship for sung worship? On this, see any of the standard histories of hymn-singing and worship.

Even at the end of the 18th century, the great Evangelical preacher William Romaine could refer to "Watts' whims"!

Here is a link to all of his hymns in .pdf form: http://www.ccel.org/ccel/watts/psalmshymns.pdf

Thanks Marc.

I just found this from googling so I am not sure how reliable this might be, but here it is for what it's worht

very late posting. just got here.

For what it is worth, I do not believe that Watts was a unitarian. On the other hand, toward the end of his life he seems to not have been a classic trinitarian, either! He never "denied the Trinity" so far as I have ever seen. It was speculative, and it caused him some anguish. There is a good about 20+ page discussion in Arthur Paul Davis _Isaac Watts: His Life and Works_.

Nor was speculation about the nature of the Trinity uncommon during this time period and among these people (Independents, dissenters, etc.). Look for info on the Salter's Hall controversy of the early 18th century, which Watts was apparently involved in as well. Subscription to the Athanasian creed did not receive majority support in English Nonconformity on that occasion.

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